Korengal

Summary: Korengal picks up where Restrepo (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.

Release Date: November 30, 2015

Genres: Documentary, Biography, History

Director: Sebastian Junger

Runtime: 1 h 24 min

MPAA: R

Countries: United States, Italy, Afghanistan

Language: English

Domestic: $ 101,310

Box office:

Domestic:$101.3KWorldwide:$101.3K

Possible lazy cash grab:

sequel, second part

-23%

The Rotten Tomatoes audience rated this -23% lower than the critics.

87%64%

The Metacritic audience rated this 1% higher than the critics.

Metacritic Meta:

67/100

Metacritic User:

68/100

6%28%

6% of the Stars & Main Cast are Female.

28% of the Stars & Main Cast are "diverse."

White72.22%Latino22.22%Asian5.56%

N/A

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

87%64%

Douban:

IMDb:

Metacritic:

Metacritic User:

Moviemeter:

Methodology

Cast

Stars:

Supporting cast:

Other Cast, Production

Other cast:

Production:

Representation

Star

Supporting

Other

Production

Race	White	Latino	Asian	Total	Visuals	Info
Kairos	10	4	1	15		A third party facial recognition software company we used to maintain objectivity. Upload images to the facial recognition demo page to check the veracity of our data set. Or use their API and do a bulk peer review if you'd like. Source: https://www.kairos.com/demos
Forebears	2			2
Bettaface	1			1		A third party facial recognition software company we used to maintain objectivity. Upload images to the facial recognition demo page to check the veracity of our data set. Or use their API and do a bulk peer review if you'd like. Source: https://www.betafaceapi.com/demo_old.html
Total	13	4	1	18
Cast Percentages	72.22%	22.22%	5.56%	100%	{"name":"Cast Percentages","series":[{"name":"White","y":72.22,"color":"#2b908f","sliced":true,"selected":true},{"name":"Latino","y":22.22,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Asian","y":5.56,"color":"#90ee7e","sliced":true,"selected":true}],"prefix":""}
U.S. Population (2010) Percentage	63.7%	16.3%	5.61%		{"name":"U.S. Population (2010)","series":[{"name":"White","y":63.7,"color":"#2b908f"},{"name":"Arab","y":0.55,"color":"#DF5353"},{"name":"Asian","y":5.61,"color":"#90ee7e"},{"name":"Black","y":12.6,"color":"#f45b5b"},{"name":"Indian","y":0.92,"color":"#7798BF"},{"name":"Indigenous","y":0.9,"color":"#aaeeee"},{"name":"Latino","y":16.3,"color":"#eeaaee"},{"name":"Mixed \/ Other","y":4.56,"color":"#55BF3B"},{"name":"Jewish","y":1.71,"color":"#ff0066"}],"prefix":""}	Source: US Census (Note: Racial and ethnic categories overlap so the sum will not equal 100%.)
U.S. Population (2010) Representation	+8.52	+5.92	-0.05		{"name":"U.S. Population (2010)","series":[["White",63.7],["Latino",16.3],["Asian",5.61]],"cast":[{"name":"White","y":72.22,"color":"#2b908f"},{"name":"Latino","y":22.22,"color":"#eeaaee"},{"name":"Asian","y":5.56,"color":"#90ee7e"}]}
U.S. Buying Power (2010) Percentage	77.06%	8.32%	4.93%		{"name":"U.S. Buying Power (2010)","series":[{"name":"White","y":9431400000000,"color":"#2b908f","sliced":true,"selected":true},{"name":"Arab","y":0,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":603500000000,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Black","y":961200000000,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indian","y":0,"color":"#7798BF","sliced":true,"selected":true},{"name":"Indigenous","y":82500000000,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Latino","y":1018000000000,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":143100000000,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Jewish","y":0,"color":"#ff0066","sliced":true,"selected":true}],"prefix":"$"}	Source: Selig Center, University of Georgia
U.S. Buying Power (2010) Representation	-4.84	+13.9	+0.63		{"name":"U.S. Buying Power (2010)","series":[["White",77.06],["Latino",8.32],["Asian",4.93]],"cast":[{"name":"White","y":72.22,"color":"#2b908f"},{"name":"Latino","y":22.22,"color":"#eeaaee"},{"name":"Asian","y":5.56,"color":"#90ee7e"}]}
U.S. Average Individual Income (2018) Percentage	71.15%	8.18%	6.95%		{"name":"U.S. Average Individual Income (2018)","series":[{"name":"White","y":12628909924446,"color":"#2b908f","sliced":true,"selected":true},{"name":"Arab","y":0,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":1233737758878,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Black","y":1681783093368,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indian","y":0,"color":"#7798BF","sliced":true,"selected":true},{"name":"Indigenous","y":128026770431,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Latino","y":1452725800512,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":625488981927,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Jewish","y":0,"color":"#ff0066","sliced":true,"selected":true}],"prefix":"$"}	Source: IPUMS-CPS, University of Minnesota
U.S. Average Individual Income (2018) Representation	+1.07	+14.04	-1.39		{"name":"U.S. Average Individual Income (2018)","series":[["White",71.15],["Latino",8.18],["Asian",6.95]],"cast":[{"name":"White","y":72.22,"color":"#2b908f"},{"name":"Latino","y":22.22,"color":"#eeaaee"},{"name":"Asian","y":5.56,"color":"#90ee7e"}]}
World population (2014) Percentage	14.76%	5.67%	32%		{"name":"World population (2014) ","series":[{"name":"Mixed \/ Other","y":13667886419,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Latino","y":40991514568,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Indigenous","y":10279165092,"color":"#aaeeee","sliced":true,"selected":true},{"name":"White","y":106626030486,"color":"#2b908f","sliced":true,"selected":true},{"name":"Black","y":97808227092,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Asian","y":231247230830,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Arab","y":61399757077,"color":"#DF5353","sliced":true,"selected":true},{"name":"Indian","y":158104073251,"color":"#7798BF","sliced":true,"selected":true},{"name":"Jewish","y":2431201246,"color":"#ff0066","sliced":true,"selected":true}],"prefix":""}	NOTE: ZR is the first organization to ever create a global buying power divided by race. Essentially we just took data from CIA.gov FactBook, UN Population Estimates, and The World Bank's Population Estimates / Purchasing Power Parity Per Capita.
World population (2014) Representation	+57.46	+16.55	-26.44		{"name":"World population (2014) ","series":[["White",14.76],["Latino",5.67],["Asian",32]],"cast":[{"name":"White","y":72.22,"color":"#2b908f"},{"name":"Latino","y":22.22,"color":"#eeaaee"},{"name":"Asian","y":5.56,"color":"#90ee7e"}]}
World Buying Power Percentage	36.48%	9.35%	29.46%		{"name":"World Buying Power","series":[{"name":"White","y":3010602822170000,"color":"#2b908f","sliced":true,"selected":true},{"name":"Latino","y":771525888400000,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Jewish","y":91700962050000,"color":"#ff0066","sliced":true,"selected":true},{"name":"Black","y":526264226360000,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indigenous","y":174285727610000,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":148984454560000,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Arab","y":526400066100000,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":2431392083750000,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Indian","y":572687873900000,"color":"#7798BF","sliced":true,"selected":true}],"prefix":"$"}	NOTE: ZR is the first organization to ever create a global buying power divided by race. Essentially we just took data from CIA.gov FactBook, UN Population Estimates, and The World Bank's Population Estimates / Purchasing Power Parity Per Capita.
World Buying Power Representation	+35.74	+12.87	-23.9		{"name":"World Buying Power","series":[["White",36.48],["Latino",9.35],["Asian",29.46]],"cast":[{"name":"White","y":72.22,"color":"#2b908f"},{"name":"Latino","y":22.22,"color":"#eeaaee"},{"name":"Asian","y":5.56,"color":"#90ee7e"}]}
Notes		Many Latinos check "White" or "Other" on the Census. So this overlaps with "Mixed" race and "White." Also, when there was a discrepancy with the percentage listed on the Wikipedia table and our calculated numbers, the Wiki table's numbers were used. Likewise, when the population total was missing from the Census pdf, the estimate was calculated using the percentage from the Wiki table. NOTE: It turns out that the reason America doesn't have a separate "Latino" race is because the League of Latin American Citizens protested against discrimination towards Mexicans and got themselves to legally be considered "White." Check the research links in our Google Doc for more info.	The US Census considers Pakistani, Sri Lankan, Indian, and Bangladeshi as Asians. At ZR we group Pakistanis with the Arab world. And we group Sri Lankan and Bangladeshi with India because 1.) they are all genetically similar as "South Asians and 2.) there are only a handful of actors from those regions in our database. However, you are viewing the "Asian Alone" category from the US Census when comparing it with Domestic representation. Also note that the 2000 and 2010 estimates include MultiRacial Asians not just "Asian Alone" estimates, and in some categories they include Native Hawaiians as "Asian." So there is a margin of error less than 1% and some inconsistencies with the grouping.

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N/A

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100%69%

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The Tillman Story (2010)

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Director: Amir Bar-Lev

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86/100

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N/A

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Methodology

RottenTomatoes:

94%91%

Douban:

IMDb:

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Metacritic User:

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Methodology

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Taxi to the Dark Side (2007)

Summary: Alex Gibney exposes the haunting details of the USA's torture and interrogation practices during the War in Afghanistan.

Release Date: January 23, 2009

Genres: Crime, Documentary, History

Director: Alex Gibney

Writer: Alex Gibney

Runtime: 1 h 46 min

MPAA: R

Production: Discovery Channel, Jigsaw Productions, Tall Woods, The Why Foundation, Wider Film Projects, X-Ray Productions

Distributor: THINKFilm, Image Entertainment

Country: United States

Language: English

Movie budget: $ 1,000,000

Domestic: $ 274,661

International: $ 19,648

Box office:

Budget:$1MDomestic:$274.7KInternational:$19.6KWorldwide:$294.3K

-10%

The Rotten Tomatoes audience rated this -10% lower than the critics.

100%90%

No Metacritic ratings imported yet.

6%6%

6% of the Stars & Main Cast are Female.

6% of the Stars & Main Cast are "diverse."

White94.44%Black5.56%

N/A

Possibly woke elements:

civil rights

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

100%90%

Douban:

IMDb:

OFDb:

Methodology

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Whiskey Tango Foxtrot (2016)

Summary: A journalist recounts her wartime coverage in Afghanistan.

Release Date: March 04, 2016

Genres: Comedy, Drama, Biography

Directors: Glenn Ficarra

, John Requa

Writers: Robert Carlock

, Kim Barker

Runtime: 1 h 52 min

MPAA: R

Production: Broadway Video, Little Stranger, Paramount Pictures

Distributor: Paramount Pictures, KVH Media Group, Paramount Home Entertainment

Country: United States

Language: English

Movie budget: $ 35,000,000

Domestic: $ 23,083,334

International: $ 1,888,805

Box office:

Budget:$35MDomestic:$23.1MInternational:$1.9MWorldwide:$25M

Box office International:

Source: The Numbers

Adaptation/remake:

based on true story, based on book

Possible Big Business:

Production:

Paramount Pictures

-14%

The Rotten Tomatoes audience rated this -14% lower than the critics.

68%54%

The Metacritic audience rated this 8% higher than the critics.

Metacritic Meta:

57/100

Metacritic User:

65/100

28%28%

28% of the Stars & Main Cast are Female.

28% of the Stars & Main Cast are "diverse."

White66.67%Arab11.11%Mixed / Other11.11%Asian5.56%Jewish5.56%

0.80

Possibly woke elements:

imperialism

BechdeltestPassed!

Commonsensemedia

Message1/5
Role model1/5
Violence4/5
Sex3/5
Language5/5
Consumerism2/5
Drugs3/5

Dove

Sex4/5
Language5/5
Violence4/5
Drugs4/5
Nudity4/5
Other5/5

This film gets a 0.80/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

68%54%

Douban:

Eiga:

IMDb:

Metacritic:

Metacritic User:

Wokeness

Thecherrypicks:

Methodology

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Dirty Wars (2013)

Summary: Investigative journalist Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars.

Release Date: October 18, 2013

Genres: Crime, Documentary, History

Director: Rick Rowley

Writers: David Riker

, Jeremy Scahill

Runtime: 1 h 27 min

MPAA: Not Rated

Production: Big Noise Films, Civic Bakery

Distributor: IFC Films, Sundance Selects

Country: United States

Language: English

Domestic: $ 384,473

International: $ 32,380

Box office:

Domestic:$384.5KInternational:$32.4KWorldwide:$416.9K

Box office International:

Source: The Numbers

-11%

The Rotten Tomatoes audience rated this -11% lower than the critics.

85%74%

The Metacritic audience rated this 5% higher than the critics.

Metacritic Meta:

76/100

Metacritic User:

81/100

6%55%

6% of the Stars & Main Cast are Female.

55% of the Stars & Main Cast are "diverse."

White45.45%Arab36.36%Mixed / Other9.09%Black9.09%

N/A

Possibly woke elements:

imperialism

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

85%74%

Douban:

IMDb:

Kinopoisk:

Metacritic:

Metacritic User:

OFDb:

Methodology

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Man on Wire (2008)

Summary: A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".

Release Date: August 29, 2008

Genres: Crime, Documentary, Biography

Director: James Marsh

Writer: Philippe Petit

Runtime: 1 h 34 min

MPAA: PG-13

Production: Discovery Films, BBC Storyville, UK Film Council

Distributor: Magnolia Home Entertainment

Countries: United Kingdom, United States

Language: English

Movie budget: $ 1,000,000

Domestic: $ 2,962,242

International: $ 2,296,327

Box office:

Budget:$1MDomestic:$3MInternational:$2.3MWorldwide:$5.3M

Adaptation/remake:

based on book

-13%

The Rotten Tomatoes audience rated this -13% lower than the critics.

100%87%

The Metacritic audience rated this -7% lower than the critics.

Metacritic Meta:

89/100

Metacritic User:

82/100

17%13%

17% of the Stars & Main Cast are Female.

13% of the Stars & Main Cast are "diverse."

White87.5%Asian12.5%

1.95

Commonsensemedia

Message3/5
Role model3/5
Sex2/5
Drugs2/5

This film gets a 1.95/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

100%87%

Douban:

Eiga:

IMDb:

Metacritic:

Metacritic User:

Moviemeter:

OFDb:

Methodology

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Making the Boys (2011)

Summary: On the eve of the 40th anniversary of the Gay Rights Movement, the film explores the drama, struggle and enduring legacy of the first-ever gay play and subsequent Hollywood movie to successfully reach a mainstream audience. Belove...

Release Date: March 11, 2011

Genres: Romance, Documentary, Biography

Director: Crayton Robey

Runtime: 1 h 30 min

MPAA: Not Rated

Production: 4th Row Films, Crayton Robey Productions

Distributor: First Run Features, Gravitas Ventures, Netflix

Country: United States

Language: English

Domestic: $ 33,443

Box office:

Domestic:$33.4KWorldwide:$33.4K

The average Metacritic score is 71%.

Metacritic Meta:

71/100

6%0%

6% of the Stars & Main Cast are Female.

0% of the Stars & Main Cast are "diverse."

White93.75%Jewish6.25%

N/A

LGBTQ content included:

LGB:

gay, homosexual, gay kiss, gay relationship, homosexuality, gay couple, lesbian, male male kiss, gay love, gay bar, boyfriend boyfriend relationship

QTIA+:

queer, queer cinema

Possibly woke elements:

gay bashing, prejudice, discrimination, civil rights

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

IMDb:

Metacritic:

Methodology

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The Central Park Five (2012)

Summary: A documentary that examines the 1989 case of five black and Latino teenagers who were convicted of raping a white woman in Central Park. After having spent between 6 and 13 years each in prison, a serial rapist confessed to the cr...

Release Date: April 25, 2014

Genres: Crime, Documentary, History

Directors: Ken Burns

, Sarah Burns

, David McMahon

Writers: Ken Burns

, Sarah Burns

, David McMahon

Runtime: 1 h 59 min

MPAA: Not Rated

Production: Florentine Films, WETA

Country: United States

Language: English

Domestic: $ 325,653

Box office:

Domestic:$325.7KWorldwide:$325.7K

-6%

The Rotten Tomatoes audience rated this -6% lower than the critics.

92%86%

The Metacritic audience rated this 1% higher than the critics.

Metacritic Meta:

79/100

Metacritic User:

80/100

17%36%

17% of the Stars & Main Cast are Female.

36% of the Stars & Main Cast are "diverse."

White57.14%Black28.57%Jewish7.14%Latino7.14%

N/A

Possibly woke elements:

prejudice,race relations,f rated,racism,civil rights

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

92%86%

Douban:

IMDb:

Metacritic:

Metacritic User:

OFDb:

Methodology

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After Tiller (2013)

Summary: This thought provoking, sometimes troubling documentary examines the personal and ethical imperatives that drive abortion providers to continue in the face of often dangerous legal and personal harassment.

Release Date: January 10, 2014

Genres: Drama, Documentary, Biography

Directors: Martha Shane

, Lana Wilson

Writers: Greg O'Toole

, Martha Shane

, Lana Wilson

Runtime: 1 h 25 min

MPAA: PG-13

Production: Code Red Pictures, Artemis Media Ventures, Belle Max Productions, Chicken And Egg Pictures

Distributor: Code Red, Oscilloscope, Topic

Country: United States

Language: English

Domestic: $ 72,125

Box office:

Domestic:$72.1KWorldwide:$72.1K

-7%

The Rotten Tomatoes audience rated this -7% lower than the critics.

92%85%

The Metacritic audience rated this -12% lower than the critics.

Metacritic Meta:

74/100

Metacritic User:

62/100

47%0%

47% of the Stars & Main Cast are Female.

0% of the Stars & Main Cast are "diverse."

White92.31%Jewish7.69%

N/A

LGBTQ content included:

lesbian

Possibly woke elements:

f rated

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

92%85%

IMDb:

Metacritic:

Metacritic User:

OFDb:

Methodology

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Won't You Be My Neighbor? (2018)

Summary: An exploration of the life, lessons, and legacy of iconic children's television host Fred Rogers.

Release Date: June 29, 2018

Genres: Documentary, Biography

Director: Morgan Neville

Runtime: 1 h 35 min

MPAA: PG-13

Production: Impact Partners, Independent Lens, Public Broadcasting Service (PBS), Tremolo Productions

Distributor: Focus Features, Public Broadcasting Service (PBS), Home Box Office (HBO), Peacock

Country: United States

Language: English

Domestic: $ 22,835,787

International: $ 8,954

Box office:

Domestic:$22.8MInternational:$9KWorldwide:$22.8M

Adaptation/remake:

title based on song

N/A

No Rotten Tomatoes ratings imported yet.

No Metacritic ratings imported yet.

33%11%

33% of the Stars & Main Cast are Female.

11% of the Stars & Main Cast are "diverse."

White88.89%Asian11.11%

2.00

LGBTQ content included:

gay

Possibly woke elements:

prejudice, race relations, segregation, racism

Commonsensemedia

Message5/5
Role model5/5
Violence3/5
Sex2/5
Language2/5
Consumerism1/5
Drugs1/5

This film gets a 2.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

Douban:

IMDb:

Kinopoisk:

Moviemeter:

OFDb:

Methodology

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Other sources

Parental Guide

Parental Guide: +add

MPAA Certification

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IMDb Rating

https://www.imdb.com/title/tt3578504/parentalguide

last updated: 2024-10-25Update data

Commonsensemedia Rating

https://www.commonsensemedia.org

last updated: 2024-09-27Update data

Methodology

Other sources

boxofficemom.com
commonsensemedia.org
crosswalk.com

Global Consensus

Douban

rating: 6.8/10

MovieMeter

rating: 3/5

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Rating*

Rating is just the typical 5 star rating you'd give the film like you'd see on any other review site.

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Support is a boycott suggestion and is meant to be a way for us to consolidate our efforts in “voting with our dollars.” Obviously, Hollywood has proven that they will sacrifice profits for the sake of their agenda, but they’re not as monolithic as you’d think. And people still respond to incentives.

So the 3 options are:

Pay to watch:

This movie is worth your time, and you should support the creators financially so we get more content like it.

Watch it AND give them money.

Watch if free:

The show is entertaining, but you shouldn’t reward the creators for whatever reason. Perhaps you don't want to support preachy celebs who hate their fans. Or maybe you enjoy superhero movies and nostalgia bait, but don't want to encourage Hollywood to continue making them in such a high ratio.

That’s when you’d click the “Watch Now” button and choose from one of the “Free” links:

( Use at your own risk. ZeitgeistReviews does not endorse any of the links and we don’t condone piracy. And we definitely discourage you from using this Reddit thread that shows you all of the places to pirate movies & tv. )

Watch it BUT don’t give them money.

Skip it:

This means the movie wasn’t even worth your time. Maybe it's so full of Woke crap that you’ll want to pull your hair out half way through. Or it could simply just be a piece of s**t, and not in a "so bad it's good" kind of way.

Don’t watch it AND don’t give them money.

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Review text*

Note: Please wrap spoilers [spoiler] like this. [/spoiler]

Neo-Marxism

Neo-Marxism, (sometimes referred to as "Cultural Marxism"), rates the amount of fanatic egalitarianism in a film. Consider this mainly a rating for anti-nationalist and anti-capitalist themes.

Feminism

Strong and multidimensional female characters are fine. This is mainly referring to girlboss crap, unrealistic Mary Sue content, and/or egregious scenes of manhood being disparaged.

Affirmative Action

Affirmative Action rates how much "diversity" is being pushed. ( Not true diversity, but the anti-White checklist kind.)

Gay Stuff

Gay Stuff rates the amount of non-tradional sexuality depicted.

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Fedora Tipping rates the amount of atheism / Scientism™ in a film.

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