Box office:
Box office International:
Source: The Numbers
Possible Big Business:
Production:
AVCO Embassy Pictures
The Metacritic audience rated this 15% higher than the critics.
28% of the Stars & Main Cast are Female.
6% of the Stars & Main Cast are "diverse."
Commonsensemedia
This film gets a 2.00/5 family friendly score
CONTENT BREAKDOWN
Methodology
Adaptation/remake:
Columbia Pictures
The Rotten Tomatoes audience rated this 9% higher than the critics.
The Metacritic audience rated this 27% higher than the critics.
39% of the Stars & Main Cast are Female.
25% of the Stars & Main Cast are "diverse."
Possibly woke elements:
interracial
This film gets a 1.00/5 family friendly score
The Rotten Tomatoes audience rated this -2% lower than the critics.
No Metacritic ratings imported yet.
17% of the Stars & Main Cast are Female.
27% of the Stars & Main Cast are "diverse."
The Rotten Tomatoes audience rated this -16% lower than the critics.
The Metacritic audience rated this -13% lower than the critics.
33% of the Stars & Main Cast are Female.
12% of the Stars & Main Cast are "diverse."
The Metacritic audience rated this 17% higher than the critics.
22% of the Stars & Main Cast are Female.
The Rotten Tomatoes audience rated this -3% lower than the critics.
The average Metacritic score is 46%.
24% of the Stars & Main Cast are "diverse."
Castle Rock Entertainment
(Warner Bros. Entertainment subsidiary)
The Rotten Tomatoes audience rated this -4% lower than the critics.
The Metacritic audience rated this 13% higher than the critics.
female agent
The Rotten Tomatoes audience rated this -31% lower than the critics.
13% of the Stars & Main Cast are "diverse."
The Rotten Tomatoes audience rated this -19% lower than the critics.
The average Metacritic score is 60%.
0% of the Stars & Main Cast are "diverse."
Warner Bros.
The Rotten Tomatoes audience rated this 27% higher than the critics.
The Metacritic audience rated this 42% higher than the critics.
25% of the Stars & Main Cast are Female.
33% of the Stars & Main Cast are "diverse."
The average Rotten Tomatoes audience score is 28%.
28% of the Stars & Main Cast are "diverse."
Amblin Entertainment
The Rotten Tomatoes audience rated this -39% lower than the critics.
This film gets a 1.80/5 family friendly score
Orion Pictures
(Metro-Goldwyn-Mayer (MGM) subsidiary)
The Rotten Tomatoes audience rated this 6% higher than the critics.
11% of the Stars & Main Cast are Female.
17% of the Stars & Main Cast are "diverse."
LGBTQ content included:
gay
white savior, racial segregation, prejudice, race relations, discrimination, segregation, Ku Klux Klan, racism, civil rights, injustice
Constantin Film
The Rotten Tomatoes audience rated this 40% higher than the critics.
44% of the Stars & Main Cast are Female.
38% of the Stars & Main Cast are "diverse."
lesbian
strong female character
The Rotten Tomatoes audience rated this -28% lower than the critics.
The Metacritic audience rated this 52% higher than the critics.
15% of the Stars & Main Cast are "diverse."
The Rotten Tomatoes audience rated this -1% lower than the critics.
The Metacritic audience rated this -9% lower than the critics.
gay, homosexual
political oppression, prejudice, social injustice, injustice, extremist
Possible lazy cash grab:
sequel, third part
Franchise:
Dirty Harry
The Rotten Tomatoes audience rated this -10% lower than the critics.
The Metacritic audience rated this 11% higher than the critics.
extremist
This film gets a 0.35/5 family friendly score
The Rotten Tomatoes audience rated this -29% lower than the critics.
The Metacritic audience rated this 14% higher than the critics.
18% of the Stars & Main Cast are "diverse."
sequel, sequel to cult film, sequel to cult favorite, second part, part two
Halloween
Universal Pictures
The Rotten Tomatoes audience rated this 34% higher than the critics.
The Metacritic audience rated this 45% higher than the critics.
sequel, sequel to cult favorite, third part
The Rotten Tomatoes audience rated this -22% lower than the critics.
The Metacritic audience rated this 10% higher than the critics.
Wokeness