That Obscure Object of Desire

Out of all the great cinematic auteur filmmakers, Spanish surrealist Luis Buñuel (Los Olvidados, Belle de Jour)—a virtual one-man-cinematic-revolution—was probably the greatest in terms of sheer longevity, eclecticism, and artistic consistency as a succulently scathingly sardonic morcillismo humorist with an intrinsic flare for the intoxicatingly (yet elegantly) iconoclastic, sensually absurd, playfully pessimistic, and merrily misanthropic. Indeed, whether it be the uniquely unforgettable eye-slicing and juxtaposition of surreal sexual sadism with Richard Wagner's “Liebestod” from his opera Tristan und Isolde in his debut Un Chien Andalou (1929), proto-Aguirre, the Wrath of God action-adventure jungle allegory of Death in the Garden (1956), preternatural...

Proper Review
Oct 28th 2019
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