A nonlinear big budget Hollywood sci-fi arthouse flick addressing the Allied powers unofficial war crime of the totally terroristic firebombing of Dresden during the Second World War certainly seems like a sort of wishful alt-right fanboy fantasy yet, somewhat inexplicably, such an insanely idiosyncratic cinematic work actually does exist and naturally it is not exactly a famous film despite being based on a relatively famous novel. Luckily, it is also a great film that, despite being nearly half-a-century old, is rather fresh despite technically belonged to a genre that does not typically age gracefully. Indeed, Slaughterhouse-Five (1972)—a film based on American postmodern writer Kurt Vonnegut’s 1969 novel of the same name—is, in my less than humble...
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Proper Review
Jan 2nd 2020