Medea (1988)

For all of my cinephiliac life, I have been pondering whether or not I think Danish auteur Lars von Trier (Europa, Melancholia)—undoubtedly one of the greatest and most interesting filmmakers of the post-Fassbinder age—is a great artist, determined dilettante, and/or a downright fraud that simply thrives on trolling in a super sophisticated way and not much more. While I find Howard Hampton to be an oftentimes obnoxious writer that is oftentimes absurdly wrong, if not downright delusional, in his assertions, I could not help by agree with him when he argued in an essay featured in the writing compilation Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses (2007) that, “There’s something about Lars von Trier’s prodigiously...

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Feb 21st 2020
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