Deadlock

Summary: An ex-military man working at a Georgia power plant has to spring into action to prevent disaster when a group of rogue soldiers gain control of the plant and take the employees hostage.

Release Date: January 06, 2022

Genres: Action, Thriller

Director: Jared Cohn

Writers: Cam Cannon

, Jared Cohn

Runtime: 1 h 37 min

MPAA: R

Production: 308 Ent, BondIt Media Capital, Head Gear Films

Country: United States

Language: English

Movie budget: $ 11,000,000

Budget:$11M

N/A

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17%29%

17% of the Stars & Main Cast are Female.

29% of the Stars & Main Cast are "diverse."

White70.59%Asian11.76%Latino11.76%Black5.88%

N/A

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CONTENT BREAKDOWN

Methodology

Douban:

Eiga:

IMDb:

Kinopoisk:

OFDb:

Methodology

Cast

Stars:

Supporting cast:

Other Cast, Production

Other cast:

Production:

Representation

Star

Supporting

Other

Production

Race	White	Asian	Latino	Black	Total	Visuals	Info
Kairos	8	1	1	1	11		A third party facial recognition software company we used to maintain objectivity. Upload images to the facial recognition demo page to check the veracity of our data set. Or use their API and do a bulk peer review if you'd like. Source: https://www.kairos.com/demos
Bettaface	2	1	1		4		A third party facial recognition software company we used to maintain objectivity. Upload images to the facial recognition demo page to check the veracity of our data set. Or use their API and do a bulk peer review if you'd like. Source: https://www.betafaceapi.com/demo_old.html
Ethnic	2				2		This is the most reliable data source for accurate ethnic breakdowns of famous people. Often the information is crowdsourced by users and they cite all their sources (family trees, obituaries, census archives, etc.) on the bottom of the page. The only issue is converting their ambiguous and inconsistent verdicts into quantifiable variables. Source: https://ethnicelebs.com/
Forebears		1			1
Total	12	3	2	1	18
Cast Percentages	66.67%	16.67%	11.11%	5.56%	100%	{"name":"Cast Percentages","series":[{"name":"White","y":66.67,"color":"#2b908f","sliced":true,"selected":true},{"name":"Asian","y":16.67,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Latino","y":11.11,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Black","y":5.56,"color":"#f45b5b","sliced":true,"selected":true}],"prefix":""}
U.S. Population (2020) Percentage	57.84%	6%	18.73%	12.4%		{"name":"U.S. Population (2020)","series":[{"name":"White","y":57.84,"color":"#2b908f"},{"name":"Arab","y":0.54,"color":"#DF5353"},{"name":"Asian","y":6,"color":"#90ee7e"},{"name":"Black","y":12.4,"color":"#f45b5b"},{"name":"Indian","y":1.35,"color":"#7798BF"},{"name":"Indigenous","y":1.12,"color":"#aaeeee"},{"name":"Latino","y":18.73,"color":"#eeaaee"},{"name":"Mixed \/ Other","y":9.32,"color":"#55BF3B"},{"name":"Jewish","y":2.02,"color":"#ff0066"}],"prefix":""}	Source: US Census (Note: Racial and ethnic categories overlap so the sum will not equal 100%.)
U.S. Population (2020) Representation	+8.83	+10.67	-7.62	-6.84		{"name":"U.S. Population (2020)","series":[["White",57.84],["Asian",6],["Latino",18.73],["Black",12.4]],"cast":[{"name":"White","y":66.67,"color":"#2b908f"},{"name":"Asian","y":16.67,"color":"#90ee7e"},{"name":"Latino","y":11.11,"color":"#eeaaee"},{"name":"Black","y":5.56,"color":"#f45b5b"}]}
U.S. Buying Power (2023) Percentage	72.69%	6.97%	10.06%	8.02%		{"name":"U.S. Buying Power (2023)","series":[{"name":"White","y":13897000000000,"color":"#2b908f","sliced":true,"selected":true},{"name":"Arab","y":0,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":1333100000000,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Black","y":1533100000000,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indian","y":0,"color":"#7798BF","sliced":true,"selected":true},{"name":"Indigenous","y":136400000000,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Latino","y":1924000000000,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":295300000000,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Jewish","y":0,"color":"#ff0066","sliced":true,"selected":true}],"prefix":"$"}	Source: Selig Center, University of Georgia
U.S. Buying Power (2023) Representation	-6.02	+9.7	+1.05	-2.46		{"name":"U.S. Buying Power (2023)","series":[["White",72.69],["Asian",6.97],["Latino",10.06],["Black",8.02]],"cast":[{"name":"White","y":66.67,"color":"#2b908f"},{"name":"Asian","y":16.67,"color":"#90ee7e"},{"name":"Latino","y":11.11,"color":"#eeaaee"},{"name":"Black","y":5.56,"color":"#f45b5b"}]}
U.S. Average Individual Income (2018) Percentage	65.34%	7.52%	9.51%	9.43%		{"name":"U.S. Average Individual Income (2018)","series":[{"name":"White","y":11825174998483,"color":"#2b908f","sliced":true,"selected":true},{"name":"Arab","y":0,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":1360705388565,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Black","y":1706765993728,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indian","y":0,"color":"#7798BF","sliced":true,"selected":true},{"name":"Indigenous","y":164296821776,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Latino","y":1721419354421,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":1318328353188,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Jewish","y":0,"color":"#ff0066","sliced":true,"selected":true}],"prefix":"$"}	Source: IPUMS-CPS, University of Minnesota
U.S. Average Individual Income (2018) Representation	+1.33	+9.15	+1.6	-3.87		{"name":"U.S. Average Individual Income (2018)","series":[["White",65.34],["Asian",7.52],["Latino",9.51],["Black",9.43]],"cast":[{"name":"White","y":66.67,"color":"#2b908f"},{"name":"Asian","y":16.67,"color":"#90ee7e"},{"name":"Latino","y":11.11,"color":"#eeaaee"},{"name":"Black","y":5.56,"color":"#f45b5b"}]}
World population (2019) Percentage	14.24%	31.25%	5.62%	14.47%		{"name":"World population (2019) ","series":[{"name":"Mixed \/ Other","y":14688882870,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Latino","y":42991259469,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Indigenous","y":10971786583,"color":"#aaeeee","sliced":true,"selected":true},{"name":"White","y":108889096410,"color":"#2b908f","sliced":true,"selected":true},{"name":"Black","y":110601821551,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Asian","y":238860161621,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Arab","y":67406299429,"color":"#DF5353","sliced":true,"selected":true},{"name":"Indian","y":167470202093,"color":"#7798BF","sliced":true,"selected":true},{"name":"Jewish","y":2568698093,"color":"#ff0066","sliced":true,"selected":true}],"prefix":""}	NOTE: ZR is the first organization to ever create a global buying power divided by race. Essentially we just took data from CIA.gov FactBook, UN Population Estimates, and The World Bank's Population Estimates / Purchasing Power Parity Per Capita.
World population (2019) Representation	+52.43	-14.58	+5.49	-8.91		{"name":"World population (2019) ","series":[["White",14.24],["Asian",31.25],["Latino",5.62],["Black",14.47]],"cast":[{"name":"White","y":66.67,"color":"#2b908f"},{"name":"Asian","y":16.67,"color":"#90ee7e"},{"name":"Latino","y":11.11,"color":"#eeaaee"},{"name":"Black","y":5.56,"color":"#f45b5b"}]}
World Buying Power Percentage	36.48%	29.46%	9.35%	6.38%		{"name":"World Buying Power","series":[{"name":"White","y":3010602822170000,"color":"#2b908f","sliced":true,"selected":true},{"name":"Latino","y":771525888400000,"color":"#eeaaee","sliced":true,"selected":true},{"name":"Jewish","y":91700962050000,"color":"#ff0066","sliced":true,"selected":true},{"name":"Black","y":526264226360000,"color":"#f45b5b","sliced":true,"selected":true},{"name":"Indigenous","y":174285727610000,"color":"#aaeeee","sliced":true,"selected":true},{"name":"Mixed \/ Other","y":148984454560000,"color":"#55BF3B","sliced":true,"selected":true},{"name":"Arab","y":526400066100000,"color":"#DF5353","sliced":true,"selected":true},{"name":"Asian","y":2431392083750000,"color":"#90ee7e","sliced":true,"selected":true},{"name":"Indian","y":572687873900000,"color":"#7798BF","sliced":true,"selected":true}],"prefix":"$"}	NOTE: ZR is the first organization to ever create a global buying power divided by race. Essentially we just took data from CIA.gov FactBook, UN Population Estimates, and The World Bank's Population Estimates / Purchasing Power Parity Per Capita.
World Buying Power Representation	+30.19	-12.79	+1.76	-0.82		{"name":"World Buying Power","series":[["White",36.48],["Asian",29.46],["Latino",9.35],["Black",6.38]],"cast":[{"name":"White","y":66.67,"color":"#2b908f"},{"name":"Asian","y":16.67,"color":"#90ee7e"},{"name":"Latino","y":11.11,"color":"#eeaaee"},{"name":"Black","y":5.56,"color":"#f45b5b"}]}
Notes		The US Census considers Pakistani, Sri Lankan, Indian, and Bangladeshi as Asians. At ZR we group Pakistanis with the Arab world. And we group Sri Lankan and Bangladeshi with India because 1.) they are all genetically similar as "South Asians and 2.) there are only a handful of actors from those regions in our database. However, you are viewing the "Asian Alone" category from the US Census when comparing it with Domestic representation. Also note that the 2000 and 2010 estimates include MultiRacial Asians not just "Asian Alone" estimates, and in some categories they include Native Hawaiians as "Asian." So there is a margin of error less than 1% and some inconsistencies with the grouping.	Many Latinos check "White" or "Other" on the Census. So this overlaps with "Mixed" race and "White." Also, when there was a discrepancy with the percentage listed on the Wikipedia table and our calculated numbers, the Wiki table's numbers were used. Likewise, when the population total was missing from the Census pdf, the estimate was calculated using the percentage from the Wiki table. NOTE: It turns out that the reason America doesn't have a separate "Latino" race is because the League of Latin American Citizens protested against discrimination towards Mexicans and got themselves to legally be considered "White." Check the research links in our Google Doc for more info.

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CONTENT BREAKDOWN

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Paramount Pictures

-6%

The Rotten Tomatoes audience rated this -6% lower than the critics.

99%93%

The Metacritic audience rated this -6% lower than the critics.

Metacritic Meta:

92/100

Metacritic User:

86/100

28%27%

28% of the Stars & Main Cast are Female.

27% of the Stars & Main Cast are "diverse."

White66.67%Black13.33%Asian13.33%Jewish6.67%

2.00

Possibly woke elements:

racism

BechdeltestTalk about a man

Commonsensemedia

Violence5/5
Sex3/5
Language3/5

This film gets a 2.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

99%93%

Douban:

Eiga:

IMDb:

Metacritic:

Metacritic User:

Moviemeter:

OFDb:

Methodology

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The Good, the Bad and the Ugly (1966)

Summary: A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Release Date: December 23, 1966

Genre: Western

Director: Sergio Leone

Writers: Luciano Vincenzoni

, Sergio Leone

, Agenore Incrocci

Runtime: 2 h 41 min

MPAA: PG

Production: Produzioni Europee Associate (PEA), Arturo González Producciones Cinematográficas, Constantin Film

Distributor: American Broadcasting Company (ABC), VidAmerica, Magnetic Video, CBS/Fox, MGM Home Entertainment, MGM/UA Home Entertainment, Warner Home Video

Countries: Italy, Spain, United States, West Germany

Language: Italian

Movie budget: $ 1,200,000

Domestic: $ 25,100,000

International: $ 164,999

Box office:

Budget:$1.2MDomestic:$25.1MInternational:$165KWorldwide:$25.3M

Box office International:

Source: The Numbers

Possible lazy cash grab:

sequel, sequel to cult favorite, third part

Possible Big Business:

Production:

Constantin Film

N/A

No Rotten Tomatoes ratings imported yet.

No Metacritic ratings imported yet.

6%28%

6% of the Stars & Main Cast are Female.

28% of the Stars & Main Cast are "diverse."

White66.67%Latino11.11%Asian11.11%Black5.56%Jewish5.56%

N/A

BechdeltestNo women talkingNo MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

Douban:

IMDb:

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SAS: Red Notice (2021)

Summary: A small army of well trained criminals led by Grace Lewis have hijacked a train deep beneath the English Channel.

Release Date: March 16, 2021

Genres: Action, Thriller

Director: Magnus Martens

Writers: Laurence Malkin

, Andy McNab

Runtime: 2 h 04 min

MPAA: R

Production: Ingenious Media, Sky, Silver Reel, Sky, Silver Reel, Creativity Capital, Parabolic Pictures Inc., Altitude Film Entertainment, The Electric Shadow Company, J3 Film Finance, Lipsync Productions, Periwinkle Pictures, Vertigo Films

Distributor: Lionsgate Home Entertainment, Netflix, Redbox Entertainment, Vertical Entertainment

Countries: United Kingdom, Switzerland, Netherlands, Hungary

Language: English

Domestic: $ 146,329

International: $ 52,103

Box office:

Domestic:$146.3KInternational:$52.1KWorldwide:$198.4K

Adaptation/remake:

based on novel

56%

The Rotten Tomatoes audience rated this 56% higher than the critics.

36%92%

The Metacritic audience rated this 21% higher than the critics.

Metacritic Meta:

37/100

Metacritic User:

58/100

28%29%

28% of the Stars & Main Cast are Female.

29% of the Stars & Main Cast are "diverse."

White70.59%Indian5.88%Asian5.88%Black5.88%Mixed / Other5.88%Arab5.88%

N/A

Possibly woke elements:

female soldier

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

36%92%

Douban:

Eiga:

IMDb:

Metacritic:

Metacritic User:

OFDb:

Methodology

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Getaway (2013)

Summary: To save his kidnapped wife, Brent Magna must drive at the orders of a mysterious man.

Release Date: August 30, 2013

Genres: Action, Thriller

Director: Courtney Solomon

Writers: Sean Finegan

, Gregg Maxwell Parker

Runtime: 1 h 30 min

MPAA: PG

Production: After Dark Films, Dark Castle Entertainment, Dunulf Productions, Emmitt Productions Limited, thefyzz, ADF Acquisitions, Bomar OOD, Saints LA

Distributor: Warner Bros., Warner Home Video

Countries: United States, Bulgaria

Language: English

Movie budget: $ 18,000,000

Domestic: $ 10,501,938

International: $ 1,304,494

Box office:

Budget:$18MDomestic:$10.5MInternational:$1.3MWorldwide:$11.8M

Box office International:

Source: The Numbers

32%

The Rotten Tomatoes audience rated this 32% higher than the critics.

3%35%

The Metacritic audience rated this 18% higher than the critics.

Metacritic Meta:

22/100

Metacritic User:

40/100

11%28%

11% of the Stars & Main Cast are Female.

28% of the Stars & Main Cast are "diverse."

White72.22%Latino16.67%Asian5.56%Mixed / Other5.56%

2.00

Commonsensemedia

Violence4/5
Language3/5
Consumerism4/5
Drugs1/5

This film gets a 2.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

3%35%

Douban:

Eiga:

IMDb:

Kinopoisk:

Metacritic:

Metacritic User:

OFDb:

Methodology

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The Contractor (2022)

Summary: A discharged U.S. Army Special Operations Forces sergeant, James Harper, risks everything for his family when he joins a private contracting organization.

Release Date: April 01, 2022

Genres: Action, Thriller

Director: Tarik Saleh

Writer: J.P. Davis

Runtime: 1 h 43 min

MPAA: R

Production: 30WEST, Icon Films, Thunder Road Pictures

Distributor: Showtime Networks, Sony Pictures Home Entertainment

Country: United States

Language: English

Movie budget: $ 50,000,000

Domestic: $ 1,035,265

International: $ 1,087,023

Box office:

Budget:$50MDomestic:$1MInternational:$1.1MWorldwide:$2.1M

Box office International:

Source: The Numbers

28%

The Rotten Tomatoes audience rated this 28% higher than the critics.

44%72%

The Metacritic audience rated this 3% higher than the critics.

Metacritic Meta:

52/100

Metacritic User:

55/100

22%12%

22% of the Stars & Main Cast are Female.

12% of the Stars & Main Cast are "diverse."

White76.47%Jewish11.76%Latino5.88%Asian5.88%

N/A

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

44%72%

Douban:

Eiga:

IMDb:

Kinopoisk:

Metacritic:

Metacritic User:

OFDb:

Wokeness

Thecherrypicks:

Methodology

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Die Hard (1988)

Summary: A New York City police officer tries to save his estranged wife and several others taken hostage by terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles.

Release Date: July 20, 1988

Genres: Action, Thriller

Director: John McTiernan

Writers: Roderick Thorp

, Jeb Stuart

, Steven E. de Souza

Runtime: 2 h 12 min

MPAA: R

Production: Twentieth Century Fox, Gordon Company, Silver Pictures

Distributor: Twentieth Century Fox, CBS/Fox, Fox Network, 20th Television

Country: United States

Language: English

Franchise: Die Hard

Movie budget: $ 28,000,000

Domestic: $ 85,892,546

International: $ 57,759,104

Box office:

Budget:$28MDomestic:$85.9MInternational:$57.8MWorldwide:$143.7M

Box office International:

Source: The Numbers

Franchise:

Die Hard

Adaptation/remake:

based on novel, based on book

RottenTomatoes:

94%94%

The Metacritic audience rated this -15% lower than the critics.

Metacritic Meta:

72/100

Metacritic User:

57/100

6%28%

6% of the Stars & Main Cast are Female.

28% of the Stars & Main Cast are "diverse."

White66.67%Black16.67%Asian11.11%Jewish5.56%

1.00

BechdeltestPassed!

Commonsensemedia

Violence5/5
Sex4/5
Language4/5
Consumerism1/5
Drugs4/5

This film gets a 1.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

94%94%

ZR Audience:

Douban:

Eiga:

IMDb:

Kinopoisk:

Metacritic:

Metacritic User:

OFDb:

Methodology

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No Escape (2015)

Summary: In their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape from an environment where foreigners are being immediately executed.

Release Date: August 26, 2015

Genres: Action, Thriller

Director: John Erick Dowdle

Writers: John Erick Dowdle

, Drew Dowdle

Runtime: 1 h 43 min

MPAA: R

Production: Bold Films, Brothers Dowdle Productions

Distributor: The Weinstein Company, KVH Media Group, Netflix

Country: United States

Language: English

Movie budget: $ 16,200,000

Domestic: $ 27,288,872

International: $ 27,130,000

Box office:

Budget:$16.2MDomestic:$27.3MInternational:$27.1MWorldwide:$54.4M

Box office International:

Source: The Numbers

15%

The Rotten Tomatoes audience rated this 15% higher than the critics.

47%62%

The Metacritic audience rated this 26% higher than the critics.

Metacritic Meta:

38/100

Metacritic User:

64/100

33%36%

33% of the Stars & Main Cast are Female.

36% of the Stars & Main Cast are "diverse."

White50%Asian28.57%Jewish14.29%Indian7.14%

1.00

Possibly woke elements:

interracial,interracial friendship

Commonsensemedia

Violence4/5
Sex2/5
Language4/5
Consumerism1/5
Drugs2/5

Dove

Sex3/5
Language4/5
Violence5/5
Drugs2/5
Nudity2/5
Other3/5

This film gets a 1.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

47%62%

Douban:

Eiga:

IMDb:

Metacritic:

Metacritic User:

Moviemeter:

OFDb:

Methodology

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Shiri (1999)

Summary: South Korean agents Ryu and Lee are tracking a female assassin from North Korea who has mysteriously disappeared. With new killings and the theft of a deadly bomb, time is running out to catch her.

Release Date: February 13, 1999

Genres: Action, Thriller

Director: Kang Je-kyu

Writer: Kang Je-kyu

Runtime: 2 h 05 min

MPAA: R

Production: CJ Entertainment, CJ E&M Film Financing & Investment Entertainment & Comics, Frontier Works Comic, Kang Je-Kyu Film Co. Ltd., Samsung Entertainment

Distributor: Samuel Goldwyn Films, Video Junkie

Country: South Korea

Language: Korean

Movie budget: $ 5,000,000

Domestic: $ 98,452

International: $ 37,440

Box office:

Budget:$5MDomestic:$98.5KInternational:$37.4KWorldwide:$135.9K

10%

The Rotten Tomatoes audience rated this 10% higher than the critics.

59%69%

No Metacritic ratings imported yet.

17%100%

17% of the Stars & Main Cast are Female.

100% of the Stars & Main Cast are "diverse."

Asian100%

N/A

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

59%69%

Douban:

IMDb:

OFDb:

Methodology

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Under Siege (1992)

Summary: An ex-Navy Seal turned cook is the only person who can stop a group of terrorists when they seize control of a U.S. battleship.

Release Date: January 16, 2022

Genres: Action, Thriller

Director: Andrew Davis

Writer: J.F. Lawton

Runtime: 1 h 43 min

MPAA: 16+

Production: Warner Bros., New Regency Productions, Canal+

Distributor: American Broadcasting Company (ABC), Disney+, HBO Max, Warner Bros. Television, Warner Home Video

Countries: France, United States

Language: English

Movie budget: $ 30,000,000

Domestic: $ 83,563,139

International: $ 73,000,000

Box office:

Budget:$30MDomestic:$83.6MInternational:$73MWorldwide:$156.6M

Possible Big Business:

Production:

Warner Bros.

-17%

The Rotten Tomatoes audience rated this -17% lower than the critics.

79%62%

The Metacritic audience rated this 13% higher than the critics.

Metacritic Meta:

58/100

Metacritic User:

71/100

6%25%

6% of the Stars & Main Cast are Female.

25% of the Stars & Main Cast are "diverse."

White68.75%Black12.5%Latino6.25%Mixed / Other6.25%Jewish6.25%

N/A

No MPAA or IMDb parental guidance data has been imported yet.
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CONTENT BREAKDOWN

Methodology

RottenTomatoes:

79%62%

Douban:

Eiga:

IMDb:

Kinopoisk:

Metacritic:

Metacritic User:

OFDb:

Methodology

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Anna (2019)

Summary: Beneath Anna Poliatova's striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world's most feared government assassins.

Release Date: June 21, 2019

Genres: Action, Thriller

Director: Luc Besson

Writer: Luc Besson

Runtime: 1 h 58 min

MPAA: R

Production: Summit Entertainment, EuropaCorp, TF1 Films Production, Canal+, Télé Monté Carlo (TMC), Crédit d'Impôt Cinéma et Télévision, Canadian Film or Video Production Tax Credit (CPTC), Fetish Film, WIP Films, Skyprod, Ondamax Films, Work in Progress

Distributor: Lionsgate

Countries: France, United States, Canada, Russia, Serbia, Guadeloupe

Language: French

Movie budget: $ 30,690,000

Domestic: $ 7,743,794

International: $ 23,883,184

Box office:

Budget:$30.7MDomestic:$7.7MInternational:$23.9MWorldwide:$31.6M

Production:

Summit Entertainment

(Lionsgate subsidiary)

N/A

No Rotten Tomatoes ratings imported yet.

No Metacritic ratings imported yet.

39%0%

39% of the Stars & Main Cast are Female.

0% of the Stars & Main Cast are "diverse."

White100%

1.00

LGBTQ content included:

lesbian, bisexual, bisexual woman

Possibly woke elements:

action heroine, female agent

BechdeltestPassed!

Commonsensemedia

Message1/5
Role model2/5
Violence4/5
Sex4/5
Language4/5
Drugs2/5

Dove

Sex3/5
Language4/5
Violence4/5
Drugs3/5
Nudity2/5

This film gets a 1.00/5 family friendly score

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CONTENT BREAKDOWN

Methodology

Douban:

Eiga:

IMDb:

Kinopoisk:

OFDb:

Wokeness

Mediaversity:

Thecherrypicks:

Methodology

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Other sources

Parental Guide

Parental Guide: +add

MPAA Certification

No MPAA rating found yet. Add Family Friendly Rating?

IMDb Rating

https://www.imdb.com/title/tt10957044/parentalguide

last updated: 2024-10-26Update data

Commonsensemedia Rating

https://www.commonsensemedia.org

last updated: 2024-09-27Update data

Methodology

Other sources

boxofficemom.com
commonsensemedia.org
crosswalk.com

Global Consensus

Douban

rating: 3.5/10

Kinopoisk

rating: 5.5/10

Eiga

rating: 2/5

OFDb

rating: 4.8/10

douban:

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Rating is just the typical 5 star rating you'd give the film like you'd see on any other review site.

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So the 3 options are:

Pay to watch:

This movie is worth your time, and you should support the creators financially so we get more content like it.

Watch it AND give them money.

Watch if free:

The show is entertaining, but you shouldn’t reward the creators for whatever reason. Perhaps you don't want to support preachy celebs who hate their fans. Or maybe you enjoy superhero movies and nostalgia bait, but don't want to encourage Hollywood to continue making them in such a high ratio.

That’s when you’d click the “Watch Now” button and choose from one of the “Free” links:

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Watch it BUT don’t give them money.

Skip it:

This means the movie wasn’t even worth your time. Maybe it's so full of Woke crap that you’ll want to pull your hair out half way through. Or it could simply just be a piece of s**t, and not in a "so bad it's good" kind of way.

Don’t watch it AND don’t give them money.

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Neo-Marxism

Neo-Marxism, (sometimes referred to as "Cultural Marxism"), rates the amount of fanatic egalitarianism in a film. Consider this mainly a rating for anti-nationalist and anti-capitalist themes.

Feminism

Strong and multidimensional female characters are fine. This is mainly referring to girlboss crap, unrealistic Mary Sue content, and/or egregious scenes of manhood being disparaged.

Affirmative Action

Affirmative Action rates how much "diversity" is being pushed. ( Not true diversity, but the anti-White checklist kind.)

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Gay Stuff rates the amount of non-tradional sexuality depicted.

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