Another Emmy season has come and gone. This year’s winners and nominees are once again a sweeping validation of the left-leaning Ford Foundation’s strategy to sponsor and cultivate progressive films...
With intelligent writing and not a Skywalker in sight, the latest 'Star Wars' series 'Andor' has a story-first, slow-burn approach
'Halloween Ends' might become one of your favorite franchise entries because it is terrible in all the right ways
'Superspreader' is an intimate reveal, taking a magnifying glass to the differing points of view that emerged during the lockdowns of 2020
The film's teen characters engage in sociopathic behavior, but it’s somehow OK because of their sex, race, and socioeconomic status
Critics are knocking filmmaker David O. Russell for his barely cloaked comparisons between old-school fascism and modern-day politics
'Ted Lasso' wrestles with family and responsibility with the respect and nuance they deserve. Wilde’s film focuses on women’s fulfillment alone
Both the 2001 and 2022 film adaptations of 'Blonde' fit squarely into the revisionist milieu yet are worlds apart in tone, approach, and content
Wilde's second film leaves viewers with more questions than answers
'Clerks III' provides a heartfelt goodbye to its fans as the cult classic franchise comes to a close
Recently marking 50 years since its September 1972 premiere, 'The Waltons' lovingly depicted the Depression-era backwoods of Virginia
'The Woman King' is a prime example of how the left lies to appease its narrative. The movie is blatantly anti-historical
Even though it's entertaining and action-packed, the latest installment in the 'Predator' franchise caves to left-wing, feminist trends
B.J. Novak pokes fun at blue-state urbanites and red-state cowboys while trying to uncover the truth about a past lover's death
Despite having quality content in the film's source material, Netflix's adaptation of 'Escape from Spiderhead' leaves something to be desired
Even though the film is filled with woke nonsense, 'Thor: Love and Thunder' resonates with Christian theology on matters of resentment
'Nope' is in essence 'Tombstone' meets 'The War of the Worlds.' It is what the film 'Cowboys and Aliens' should have been
Instead of relying on gore or audiences' empathy, in 'The Black Phone,' good triumphs over evil with zero wiggle room for the latter
Kya Clark governs herself in liberty and discipline, keeps to her family values, and is hard not to see as an all-American inspiration
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